1890 | 1900 | 1910 | 1920 | 1930 | 1940 | 1950 | 1960 | 1970 | 1980 | 1990 | 2000

Avendon, Richard

Bailey, David

Beaton, Cecil

Bourdin, Guy

Blumenfeld, Erwin

Coffin, Clifford

Dahl-Wolfe, Louise

De Mayer, Adolfe

Donovan, Terence

Duffy, Brian

Frissell, Tony

Horst, Horst P

Hoyningen-Huene

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Maywald, Will

Hoyningen-Huene

Maywald, Will

Moon, Sarah

Morel, Jean

Munkacsi, Martin

Newton, Helmut

Parkinson, Norman

Penn, Irwin

Ray, Man

Steichen, Edward

Stern, Bert

Turbeville, Deborah

 

 




The fashion extremes of the 1960's (Space age, hippie, mini) paved the way for more realistic and wearable clothes in the 1970's. The U.S. recession and involvement in the Vietnam War helped to bring fashion down to earth and replace fantasy with realism. Blue denim became the uniform of the world. Social changes, particularly the changing roles of women, were echoed with a rise in successful female photographers. Eve Arnold, Deborah Tuberville and Sarah Moon photographed women on their own terms. Not as male sex objects or idolised icons of femininity.
Aesthetic ideals were extended to encompass wider conceptions of beauty. Models such as the Somalian Iman and Hawaiian Marie Helvin rose to prominence. In America the healthy, All-American model look was epitomised by Lauren Hutton and Christie Brinkley.


Some of the strongest images of the decade came from the camera of Berlin born Helmut Newton. Strong, erotic pictures of sexually confident women challenged ideas of femininity and sexual roles. Guy Boudin captured the drug fuelled disco culture with superficially glossy images with subversive, disturbing undertones.


Rapid expansion of ready to wear in the 1970's saw the genesis of the catwalk photographer. In previous decades, only a few items from each Haute Couture collection had been made available to photographers. Now, a whole collection could be captured, to feed an ever more voracious public appetite for fashion.

 

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