1890 | 1900 | 1910 | 1920 | 1930 | 1940 | 1950 | 1960 | 1970 | 1980 | 1990 | 2000

Avendon, Richard

Bailey, David

Beaton, Cecil

Bourdin, Guy

Blumenfeld, Erwin

Coffin, Clifford

Dahl-Wolfe, Louise

De Mayer, Adolfe

Donovan, Terence

Duffy, Brian

Frissell, Tony

Horst, Horst P

Hoyningen-Huene

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Maywald, Will

Hoyningen-Huene

Maywald, Will

Moon, Sarah

Morel, Jean

Munkacsi, Martin

Newton, Helmut

Parkinson, Norman

Penn, Irwin

Ray, Man

Steichen, Edward

Stern, Bert

Turbeville, Deborah

 

 

 


Materialism and hedonism shaped the 1980's. Fashion exploded into a global consumer industry. The advertising industry boomed. Bi-annual designer collection became media events attended by camera and video crews. Fashion photographers played an important role in feeding the global appetite for fashion, glamour and materialism. Beauty ideals continued to change. The Supermodels emerged as icons of physical perfection. But individuality also became an alternative to classical beauty. Pin up boys, championed by Bruce Weber, became the new icons for advertising imagery.

New wave magazines such as The Face, I-D and Blitz documented the counter culture and provided a breeding ground for new photographers such as Nick knight and Corinne Day.

 

The backlash against 1980's materialism was reflected in the grunge, deconstruction and minimalism of the nineties. Fashion images became more about real life and attitude than the clothes themselves. Skinny, suburban girls modelled street smart clothes. Kate Moss epitomised the dazed and confused waif look. Michael Bracewell of the Guardian commented that "The fashion images of the new youth seem to lack any positivity save that of the junkies gift for self delusion and bombed out apathy."

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